PRINTMAKING

Let Me Dream

Title: Let Me Dream Ink: Black Linocut Print Size: 12.375″ X 13″ Limited Edition: 50 Paper: 100% cotton Fluorescent White 110 Lb
Te Esperare

Title: Te Esperaré Ink: Black Woodblock Print Size: 10″x8.5″ Limited Edition: 40 Paper: 100% cotton Lettra Ecru 110 Lb
El Gallo de Plata

Title: Gallo de Plata Ink: metallic gold, metallic silver, black Paper Size: 22.5″x30″ Plate Size: 15.5″x22.5″ Edition: 30
Street Fighter by Abel Alejandre, woodblock print on paper, 60” x 40”, Printed at Three Fish Studio
Saint Sebastian

Title: Saint Sebastian Master Printer: Todd A. Smith Publisher: Fullerton College Art Press Year: 2017 Woodblock print Image size: 26.5” H x 21” W Paper: BFK Rives/250gsm Paper size: 34” H x 27 W Edition: 30 Ink: Black
Broken

Title: “Broken” Release: 2019 Print Medium: Linoleum cut print Paper: Rive BFK/250gsm Print Size: 13” H by 10” W Plate Size: 10” H by 7.25” W Limited Edition: 20 Ink: Black
Tale of Two Birds

Title: Tale of Two Birds Size: 50″w X80″ h Woodblock print Medium: Ink on Muslin Year: 2013 “A Tale of Two Birds” is a work, which deals with the fertility of conflict. Male bravado, ballads of vengeance, familial ties, and the desire to survive are the seeds sown into the ground of such conflict. For some, it is a foreign problem while for others it is a personal story of two birds, two cities, two countries, two “paisanos” being weighed down by a bigger than life struggle. This is a struggle to escape and appeal to the heavens for refuge and guidance. Amidst this struggle there is a world in which even death seeks sanctuary.
Noche Calavera

“Calavera” Night Linocut print Size: 9” x 12” Medium: ink on paper Year: 2007
Gallo Con Huevos

Linocut Print, 14″x11″, ink on paper, 2012
Without Direction

Linocut Print, 14″x11″, ink on paper, 2010
Title: My Fathers Size: 100″w X 50″ h Woodblock print Medium: Ink on Muslin Year: 2010
1492

Linocut print, 6″ x 8″, ink on paper, 2006
Make Me Perfect

Linocut print Size: Year:

I am a self-trained printmaker who has worked with this medium for over 20 years. Printmaking is an integral part of my work. When crafting a woodblock, my lines follow the contours of my subjects, paying homage to the traditions of master engravers. In doing so, I view my prints as my shouting voice, while the drawings – the templates – are my whispering voice. Occasionally, I work on a monumental scale to present my narratives; some blocks are hand carved and may require months to complete. Once printed, each run yields a limited edition.